Days as a Spiritual Mentor in American Comics Chapter 5687 - 4711: Desperate Escape (44)

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Previously on Days as a Spiritual Mentor in American Comics...
The deadly escape game is revealed to be a spectacle for wealthy elites, some of whom have joined the game. Amidst the chaos, a mysterious agent has intervened, possibly from law enforcement, adding another layer of danger. Batman and Superman are left behind after Stark's group monopolizes the elevator, while Batman theorizes about a third party's involvement. Meanwhile, the remaining players find themselves in a new, perilous stage resembling "The Platform," where they must retrieve keys from a deadly chain mechanism.

The tension thickened the air. It was clear that the heroes who had endured thus far possessed no shortage of the bravery required for self-sacrifice. However, this very trait compounded the difficulty in determining who should make the ultimate offering.

The predicament was that the chains descended with such swiftness that the opening was just wide enough for a hand to make contact, but not enough to retract it. Anyone reaching out was destined to lose a limb.

Attempts were made to utilize tools like crowbars, but precious time was a luxury they did not have. While using implements offered a slight improvement over bare hands—resulting in the loss of a hand rather than an entire arm—the outcome remained largely the same in this dire situation. Such injuries would undoubtedly lead to catastrophic blood loss, effectively disqualifying any participant from the final challenge.

The assembled group did entertain the possibility that the organizers might be attempting to deceive them. Yet, after careful deliberation and deduction, this appeared to be the only viable path forward. They surmised that allowing a key to fall, thereby enabling a portion of their group to escape, was the only way a solution might be found elsewhere.

Initial disagreements arose within the group, with discussions centering on who would willingly extend an arm for the sake of sacrifice. Certain factions presented immediate answers; Thor and Loki’s pairing was one such example. Loki, finding himself with little influence in the matter, could only implore Thor to ensure their group was not the one chosen for this grim task.

Loki maintained a hopeful outlook. With numerous heroes present among the participants, he reasoned, the burden might not fall upon them. If it did, he believed Thor might be able to snatch the key and withdraw in the nick of time, perhaps averting the loss of a hand.

Numerous groups adopted similar strategies. Given that losing a hand could very well mean failing the final trial, they considered it more pragmatic to let the key drop, forcing an exit and enduring less suffering in the process.

The timing for such an action was not overly complicated. One individual could reach out towards the chains while another fixated on the Battleworld broadcast. The instant the key descended, they could initiate their exit, as the descending blades would be incapable of pursuing them into the sanctuary of the base to deliver a fatal blow.

"I'll do it," Pamela declared decisively. "We weren't aiming for victory in the first place; we're just here for the experience. Reaching this stage is accomplishment enough. Once the key drops, we'll make our exit."

Harley voiced no objection, seemingly content with the adrenaline rush of the competition. Reaching the final tier meant no further organizers to contend with; departing at this juncture presented no issue for him.

"Let it be our group," Charles proposed. "We've hardly taken any detours, adhering strictly to the established path. However, I anticipate the final stage will be exceedingly challenging. Traversing the standard route may prove arduous, with a low probability of success. In light of this, we might as well withdraw at this point."

"Very well then," Thor interjected. "My schedule is demanding, and I am pressed for time with official duties. An early exit signifies an early conclusion; I shall undertake this."

As they weighed the merits of their potential sacrifice, a voice cut through the air, countering, "It should not be us making the sacrifice."

All heads turned upwards. Anatoli stood near the atrium, his gaze also directed skyward. He fixed his stare upon the organizer adorned with a tiger mask and stated, "The one who should truly be making the sacrifice for this trial is you, Mr. Tiger. Do you not agree?"

"Why would I possibly agree with that?" Stark retorted, shaking his head with vigorous conviction, akin to a rattling toy. "Don't even dream that I'll be extending my arm; absolutely not."

Stark's current predicament, being pursued, was an unforeseen deviation from the original narrative; consequently, he had no pre-written dialogue and displayed no inclination for acting. However, by sheer coincidence, he was the sole individual among the architects of these checkpoints who possessed the an unimpeachable, innate capitalist's spirit. Acting was unnecessary for him – his performance was already a natural, peak display.

"Why should I offer myself up for sacrifice for the likes of you lot?" Stark questioned with a touch of derision. "What benefit do you offer me? You even intended to end my life moments ago..."

"And why shouldn't we have sought to end your life?" Thor's patience wore thin at Stark's brazenness. "With such diabolical setups and dragging us all into your games, don't you deserve to be put down?"

"Consider it an honor to personally experience the ingenious mechanisms I've devised," Stark's voice reverberated throughout the atrium. "Furthermore, even if you wish to exact revenge, you cannot place the entirety of the blame upon my shoulders. Besides, given our evident lack of alignment, how could you possibly expect me to make a sacrifice for your benefit?"

"This is merely presenting you with an opportunity," Anatoli maintained his calm demeanor. "An opportunity to salvage yourself from the image of a doomed stray dog."

"What did you just say? Who are you calling a doomed stray dog?!" Stark's voice immediately escalated in volume. "You are the ones who have been ensnared by my carefully crafted designs!"

"I fear you are gravely mistaken, Mr. Scorpion," Anatoli stated with solemn gravity. "From my own journey and observations, your designs have proven to be abject failures. The impressions they leave are superficial and common, lacking even a modicum of true malevolence."

Anatoli's discourse possessed a certain charm. He masterfully employed the cadence of his speech and specific vocalizations to render his points easily digestible. This technique commanded attention, making it nearly impossible for listeners to disregard even the parts they wished to avoid. While this undeniable talent stemmed partly from his extensive professional background, it was also a cultivated skill.

Language serves as the conduit for connection, and the proficiency with which one expresses themselves mirrors their interpersonal abilities. Articulating one's thoughts is straightforward; however, ensuring others heed those words is a significantly greater challenge. This is achieved by refining one's linguistic approach, and Anatoli had perfected a distinct method that ensured his pronouncements could not be overlooked.

"Do you believe employing reverse psychology will compel me to yield?" Stark's voice dripped with contempt. "I will not entertain your sophistry."

"My intention is not to utilize reverse psychology," Anatoli countered. "I am merely offering an honest assessment. Once you comprehend my reasoning, you will understand my assertion."

"It is readily apparent that numerous preceding contraptions were not solely your invention. Certain individuals contributed conceptualizations, furnishing you with inspiration. However, the principles they offered were largely abstract, akin to discussing game theory or psychological principles, which you then translated into traps to manifest their malevolence."

"For instance, you found amusement in concealing snares within doorways, ensuring that the inattentive would face retribution. Consequently, you engineered a mechanism that discharged steel projectiles from within the portal. Someone else conceived that a psychological test, involving the sequential offering of blood, was equally intriguing, leading you to construct a calibrated device to convey the level's objective and intent."

"Indeed, culpability does not rest solely with you, as many contributed ideas. If every element were entirely conventional, full responsibility might not fall upon your shoulders. Yet, considering only the aspects you executed, they appear rather rudimentary."

"Your entire undertaking resembles a prompted composition. In this world, the overwhelming majority of such writings are assigned, falling into categories of either meritorious or deficient. Those who lament their inability to compose effectively, citing restrictive prompts or unsuitable themes, are, in essence, lacking in innate ability."

"To speak plainly, all creation within this realm is inspired creation. The divergence lies in whether individuals are prompted by external sources or by their own internal directives. A truly adept creator establishes a framework for themselves during the ideation phase. Their adherence to the core subject matter is precisely what elevates their work. The constraints imposed upon a dancer are integral to the art form. For individuals possessing exceptional talent and foresight, these limitations serve not as hindrances but as catalysts."

"Though we have never crossed paths, your creations reveal your conviction that societal laws and moral codes represent impediments to your grander ambitions and obstruct wider recognition of your gifts. However, I contend that these very constraints have served to preserve you. They serve to camouflage your superficiality and inadequacy. If these constraints are all that remain, then your wisest course of action is to embrace them fully, rather than to expose your unseemly and inflated ego, driven by avarice. Such an exhibition would not constitute artistry but rather the consequence of gullible belief."

"Desire is, in fact, the central theme I wish to address. You are an individual who has never conquered your own appetites. Your current cravings dictate your designs. Devoid of philosophical depth or artistic sensibility, you seek only immediate gratification, succumbing to the pleasure derived from satisfying the most primal urges."

"Whether it be the chamber of scales, the projectile gateway, or subsequent devices like the cage and the ring, all your contrivances are positioned prominently, demanding attention as if to proclaim, 'Observe me; you can only observe me.'"

"In magnifying yourself to an infinite degree, all else diminishes. Both profound contemplation and artistic expression are annihilated within your ceaselessly amplified self-regard."

"Were I to offer an analogy, I would liken you to someone who enlarges a football trophy a thousandfold, places it at the heart of the pitch, and declares to the spectators, 'This is the entirety.' There is no competition, no game, merely what you deem the 'ultimate outcome.' You might profess it to be 'beneficial for all,' yet in truth, your sole desire is for applause for your endeavors."

"You are utterly self-contradictory!" Stark retorted. "It is precisely through my traps, inflicting harm and drawing blood, that they were afforded the opportunity to reveal their individual natures and the dynamics between them. They were presented with a stage for a remarkable performance. Without the snares I meticulously crafted, from whence would such displays originate?"

"But how does differentiating the level stages into magical operations change anything?" Anatoli inquired. "If we substitute the balance with a crystal ball, and pouring enough blood into it causes the crystalline spikes above to levitate via magic, what is truly distinct from the current presentation?"

The others began to contemplate this query, and it dawned on them that indeed, the difference was minimal. It was merely a shift in the aesthetic of the surrounding environment, a cosmetic update for different mechanisms.

In reality, magic might even prove more dependable. Given that few present comprehend magic, dismantling magical constructs would be considerably more challenging. Furthermore, magic possesses the advantage of invisibility, obscuring the target for destruction.

As Anatoli articulated, dispensing with the balance and introducing a levitating magical apparatus would not disrupt the equilibrium, as nothing would be physically present. The notion of impeding it with a supporting structure was preposterous, yet it could contribute to a more fluid gameplay experience.

Previously, their focus had been solely on conquering the levels, leaving no room for deep consideration. Or, more accurately, their thoughts were predominantly occupied with the fundamental underpinnings of the levels: game theory and psychological stages. They evidently considered the levels to be quite well-executed in these aspects, possessing appropriate difficulty, an exhilarating and stimulating nature, and ample positive reinforcement.

However, the crux of the matter was that this had no bearing on the intrinsic design of the traps themselves. Employing the same game principles, substituting the presentation method would yield identical outcomes.

Even the elements of injury and bleeding could be altered. Transforming the required blood offerings into specific, unique items, and recharacterizing the peril of elapsed time as deductions of a certain currency, would still lead to player enjoyment. This stems from the inherent allure of the game itself, irrespective of superficial changes.

What, then, of the traps? Within the chamber of traps, where does the captivating essence of the traps reside?